New hardware decoding using AMD and NVIDIA GPUs on Windows offers faster playback and more responsive Timeline performance for the widely used H.264 and HEVC formats in Premiere Pro and After Effects.įaster audio pre-roll in Premiere Pro provides responsive playback for large projects or projects that use a lot of audio effects. ProRes RAW to LOG color space conversion is now available in Premiere Pro. Import support for ProRes RAW on Windows is now available for Intel and AMD GPUs. ProRes RAW can now be imported across both platforms with all the major GPUs. HDR workflows now include support for Rec2100 PQ color working space in Premiere Pro. Support for Rec2100 PQ color working space For HDR productions, you can switch out rec709 LUTs and replace them with HLG LUTs. Color management for ARRI ProResĬolor management for ARRI ProRes formats with embedded LUTs streamlines the workflow in Premiere Pro. The edit field will fit 3 lines of text and if you go over that amount, it will have a vertical scrollbar.Īnd last but not least, Premiere Pro CC adds support for underline text style in Essential Graphics panel. Next, Essential Graphics Panel will now have a multi-line edit field for text in Motion Graphics Templates. Many templates I worked with used sliders to switch between parameters of animation, but it was so inconvenient to work this way, especially if the slider was switching between 20 different elements/parameters. The new release adds some small improvements that were long-awaited by creators.ĭropdown Menu Control was so much needed. The way that Motion Graphics Templates integrate the power of After Effects in Premiere Pro makes it an irreplaceable feature. Generally, I don’t think I would ever complain about more commands that can be mapped to a shortcut. The rest of the shortcuts will be useful as well. My second favorite would be enabling/disabling Motion Direct Manipulation for a selected clip. Personally I’m most happy about the ability to assign a keystroke to keyframe interpolation. I can’t remember the last time we got so many new shortcuts. You need to drag the cursor up quite extensively. The only downside I’ve found when playing with a new limit is how much time it takes to apply that maximum value. The previous limit of 1,000% made it very inconvenient if you wanted to time remap a longer clip. Time remapping maximum speed is now increased to 20,000%. Both raise a limit for the maximum value you could apply. Audio volume rubber band and time remappingįor many users, these two updates are long-awaited and much appreciated. It will also suggest the way you can fix that issue. It will notify you about unsupported video card drivers, Operating System requirements and so on. This is great news! Stability is a big concern for a lot of users and this is yet another step to minimize compatibility issues. System Compatibility Report 2.0Īdobe keeps inverting in System Compatibility Report. So how does this feature, that is supposed to automate the task of reframing videos for different aspect ratios, fit in everyday editing workflow? 2. Basically they took a lot of pictures and told the computer to analyze how human retina reacts to them and learn the patterns. The effect uses Adobe Sensei machine learning to be able to identify objects that humans find interesting. This is the only new feature in this release and what is more, we all could see it coming. Premiere Pro’s The biggest new feature Premiere Pro is unarguably Auto Reframe.
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